Proposal: Creating soundscapes with live coding techniques
100Ŧ pledged by: Andrea Botero (andreuchis), christina.stadlbauer, Karthikeya (karthikeya), Erich Berger, mariana.salgado, Agnieszka Pokrywka (agnes_pockels)
1 meeting took place:
Creating soundscapes with live coding techniques
already happened:
25 May 2017 17:00 — 20:00
Temporary is closing on 1 September 2017. No further experiments will be scheduled, though you can still pledge Temps as supported experiments may form a starting programme for the post-Temporary project.
+++ Playfully learn about Digital Sound Synthesis! +++ Listen to your environment with new ears! +++ No coding skills required! +++ Bring your own laptop! +++ Install SuperCollider beforehand! +++
In this Experiment, we will learn about +++Soundscapes+++ and +++live coding+++ by immersing ourselves into writing little code snippets that will create an artificial soundscape. We will temporarily fill Temporary with the sounds of a desert, a rainy forest, or a twirling extraterestrial city of ant-sized aliens.
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When Canadian composer and environmentalist R. Murray Schafer coined the term +++soundscape+++ in his book "The Tuning of the World" (1977), he described it as a sound or combination of sounds that forms or arises from an immersive environment.
A soundscape is a personal experience, it encompasses everything one hears around oneself. It is how an "environment is [sonically] understood by those living within it" (Truax (2011): "Acoustic Communication, p.11")
https://en.wikipedia.org/wiki/Soundscape
+++Live coding+++, on the other hand, is a direction in electronic music (and video) where practitioners expose and rewire the innards of software while it generates improvised music (or visuals).
https://toplap.org/
+++SuperCollider+++ is a platform for audio synthesis and algorithmic composition, used by musicians, artists, and researchers working with sound. It is free and open source software available for Windows, macOS, and Linux.
http://supercollider.github.io/
+++ Playfully learn about Digital Sound Synthesis! +++ Listen to your environment with new ears! +++ Imagine an alternative sonic environment! +++
3-4h, one day in the week 8.5.–14.5. or week 22.–28.5.
Curious people that want to programmatically sketch out sonic environments
Discussion:
great idea
No Ŧ to spend, but I'd be really interested on participating.
Joonas Siren (jsiren) : come here and get some Temps! I'd love to have a coffee with you and catch up....
Also FYI LFSaw : that week is pretty much fully booked here already; I'd recommend picking a date further in the future (which will give you more time to prepare and promote anyway)....
LFSaw although beyond my scope it would still be great to catch up after long at #
CREATING SOUNDSCAPES WITH LIVE CODING TECHNIQUES
hyksos, thanks for the tip about dates, I adjusted to also include week 22.–28.5.
:D
buscon if you don;t have temps yet, just drop by for an open time or sundays "instrument for non-humans" and earn some :)
(it seems I can only include one person _or_ an experiment here... so that's why I did not add the experiment links...)
I cannot pledge, but would be very interested in participating! Great idea!
hyksos
Yeah, I could come and visit some day!
FYI LFSaw
I would prefer next week if possible. Can't make it on 22-28.
Yeah, that's a bug LFSaw - gotta make this interface smarter! Thanks for the heads up, will try to fix asap.
Joonas Siren (jsiren)
, I woul dprefer as well but for this to happen we need (a) 100 temps, and (b) a planning decision from Temporary... and I don;t know how to do this. Also, we need people to be able to reserve the date :)
I propose 25. May 2017, 17:00 to 20:00h