With regard to the issue of content, the disjunctive perturbation of the spatial relationships brings within the realm of discourse the distinctive formal juxtapositions.

As wavering phenomena become frozen through frantic and critical practice, the viewer is left with a hymn to the edges of our condition.

“Society is part of the meaninglessness of art,” says Bataille; however, according to Reicher, it is not so much society that is part of the meaninglessness of art, but rather the futility, and hence the stasis, of society.

In our social assemblies, the sublime beauty of the sexual signifier seems very disturbing in light of a participation in the critical dialogue of the 90s.